Pandoura

Ancient Greek Pandoura (Pandourida / Trichordon)

The ancient Greek Pandoura, also known as pandourida or trichordon, belongs to the lute family. In Ancient Greece, it appears as the only known long-necked lute-type instrument; however, limited information about it has survived. The term trichordon comes from the Greek words τρεῖς (three) and χορδή (string), directly referring to the instrument’s three strings.

Scholars have long debated the origin of the name pandoura. Some researchers view it as a purely Greek word. They connect it to pan and dory, meaning “entirely made of wood.” Other scholars suggest an eastern origin. In this view, the name relates to the Sumerian words pandur or pantur, which mean “small bow.” As a result, the instrument may reflect cultural exchange between the Aegean and Mesopotamian worlds.

In our atelier, we build pandouras with wooden or goatskin soundboards. We follow principles drawn from historical sources and organological study. The body is carved from a single piece of wood, and the soundbox is hollowed from the back. One feature of the pandouras is that the instrument uses movable frets, which follows the practice of later Byzantine instruments, such as the tambouras. As a result, performers can produce natural intervals and shape modal structures with flexibility.

While the open strings usually tune in intervals of a fifth, musicians can apply other tunings according to musical context. Overall, the pandouras presented here goes beyond historical reconstruction. Instead, it stands as a fully functional ancient Greek musical instrument, serving both scholarly research and the demands of contemporary musical performance.

Historical data of the pandoura

Pandoura (Trichordon), it is the ancestor of all the lute style instruments we encounter today and, as its name suggests, it had three strings. Trichordon in Greek language means three strings. It is a musical instrument that was mainly played by women although the bibliography and iconography regarding the pandoura are very poor and the information is minimal. This fact shows that lute-style instruments in Greece were not widespread at all and were even more considered to be completely popular and marginalized instruments. The pandoura presented novelties, which scandalously violated the strict rules of classical education, resulting the pandoura players being marginalized both musically and socially. However, the melismatic character of the instrument, which was often held in the hands of courtesans at festivals and wine drinking, helped hedonistic and lustful pleasure, which also certainly exceeded the solid rules of morality.

 

 

 

 

Testimonials

Dr. Nikos Xanthoulis, Musician & Resercher, Athens, GR

Dr. Nikos Xanthoulis, Musician & Resercher, Athens, GR

“George Nikas of the luthier atelier Palmos crafts exceptional lyres that bear the mark of a lifelong pursuit of sonic beauty. Each instrument is the result of a profound understanding of materials, chosen not only for their acoustic properties but for their inner life. His work reflects artistic maturity, patience, and a rare depth of perception. George Nikas is a maker who listens with his hands—shaping sound before it is born, allowing the lyre to speak with clarity, warmth, and truth.“
Sonia Charalampidou, Musician, Athens GR

Sonia Charalampidou, Musician, Athens GR

“A good instrument does not simply play the notes you ask of it; it whispers those you never imagined. In professional sound, quality is not a luxury but a prerequisite. When craftsmanship meets the exceptional construction of the master luthier atelier Palmos, music ceases to have limits.“
Sakis Tolis, Musician, Athens GR

Sakis Tolis, Musician, Athens GR

“Thank you, my friend George, for rekindling my primordial sense, with the amazing lyre you made with great craftsmanship. A wonderful journey, indeed. I wish you good luck and always to be creative.“
Giorgos Tabakis, Musician, Athens GR

Giorgos Tabakis, Musician, Athens GR

"Sports performance" instruments with quality and personality that perform in any condition and produce a truly unique sound! I feel lucky to be working with George Nikas - a man with love, interest, and dedication to his art!“
Alexandros Charalampous, Musician Athens GR

Alexandros Charalampous, Musician Athens GR

“Through the research and work of the master luthier atelier Palmos, i acquired the primordial sense of natural sound“
Rossano Munaretto, Musician, IT

Rossano Munaretto, Musician, IT

“The craftsmanship of the instrument is of an exceptionally high level, allowing for a rich and balanced sound with clearly articulated overtones. This quality reflects the experience and refined skill of George Nikas as an instrument maker.“
Sunitha Francis,Musician, India

Sunitha Francis,Musician, India

Every harmonic sound of this instrument is deeply enriching. The craftsmanship is excellent, and the lyre supports me in designing meaningful experiences for my group facilitation work. I feel blessed to be part of the international lyre community, and this 7-string lyre holds a special place in my heart.
Pandion, Musician, Athens GR

Pandion, Musician, Athens GR

“For the musicians, music is mostly a sense. Especially when the feeling you want to create belongs to a historical past, i cannot imagine anything better than an instrument made with respect and based on historical research like the instruments of the master luthier atelier Palmos“
Nicolo Manicardi, Musician, Badalona, ES

Nicolo Manicardi, Musician, Badalona, ES

Palmos Lyres are the perfect instrument for professional musicians and for beginners. The lyres have a clear sound, sparkling and defined harmonics along with the best playability you can find in a contemporary reproduction of an ancient greek instrument! The most stunning thing of George’s lyres is that you can feel the sound all along the instrument and this allows for the delivery of it to the audience. George is a very kind and honest man willing to listen to you and to create the best instrument for his clients.

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